ARTHUR SZYK (1894-1951)

“To call Arthur Szyk the greatest illuminator since the sixteenth century is no flattery. It is the simple truth which becomes manifest to any person who studies his work with the care which it deserves.”

— Oxford historian Cecil Roth, 1940

Arthur Szyk is the outstanding miniaturist and painter-illuminator of his era, and the leading political artist in America during World War II. Internationally recognized and celebrated, his original works of art continue to be exhibited worldwide. Szyk’s art also has been published extensively throughout the world—in the United States, Poland, France, England, Canada, and Israel, as well as in South America.

AN ARTIST FOR THE GREATEST GENERATION

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Polsce, Chrystusowi Narodów [Poland, Christ of Nations].
London, 1939.

Szyk’s life as an artist-activist directly influenced the most significant historical events of the first half of the 20th century: World War I and its aftermath; World War II; the Holocaust of European Jewry; and the creation of the State of Israel. As a Polish Jew who immigrated to America—and whose mother and brother were killed by the Nazis—Szyk’s well-informed yet passionate hatred of hate inspired his adopted nation to fight tyranny and injustice at home and abroad. The totalitarian regimes of Germany and Japan indeed did fear the persuasive impact of Szyk’s 1940s anti-Axis art on the American public. (Reportedly Adolf Hitler placed a bounty on Szyk’s head, to stop him from producing anti-Nazi propaganda.) Today, Berlin and Tokyo have published books and periodicals that seek to understand the role that Szyk’s powerful art played in their national histories and to explore how his timeless body of work speaks to our own time.

AN ARTIST FOR EQUAL RIGHTS

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White, Black, and Jew in Common Cause.
New York, 1943.

Years before the Civil Rights movement, Arthur Szyk was an outspoken critic of racism against African-Americans in the United States. In his eyes, “each negro lynching is a national disaster, is a stab in the back to our government in its desperate struggle for democracy.” He used his popular art to promote a vision of an integrated free society, in the past, present, and future. In Szyk’s world, black colonials fight for American independence on the Concord bridge; black and white American G.I.s defeat the Axis together; and Native Americans and black sharecroppers are as integral as white cowboys in the story of America. A self-described “soldier in art,” Szyk’s stated philosophy—“Art is not my aim, it is my means”—guided his tireless campaign to motivate his fellow citizens against oppression and terror, and fueled his advocacy for freedom and justice among the peoples of the world.

AN ARTIST DECORATED BY THREE NATIONS

ABOUT SZYK Szyk Medals [Retouched, Luna]

In his day Arthur Szyk was famous throughout the Western world as an artist and public figure. The American press called him a “citizen-soldier of the free world.” Three countries honored his outstanding service with medals: Poland, the land of his birth, awarded him the Gold Cross of Merit; France, the country of his early artistic career, decorated him with the Ordre des Palmes Académiques; and the United States, his adopted home, presented him with the George Washington Bicentennial Medal.

AN ARTISTIC LEGACY FOR A GLOBAL WORLD

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Thomas Jefferson’s Oath. “I Have Sworn Upon the Altar of God…”
New Canaan, 1951.

More than sixty years after his death, Arthur Szyk and his powerful art continue to attract unprecedented levels of interest and critical acclaim. With numerous world-class exhibitions in the past decade alone, Szyk’s international reputation is expanding exponentially in breadth and impact. In truth, this transformational epoch of disruptive technology and powerful ideology is not so different from Szyk’s own. Threats to democracy must still be faced and fought, the commitment to equality and liberty must be renewed with blood, sweat, and tears. In this priceless Collection, Arthur Szyk’s timeless message of freedom, tolerance, and justice reaches across history to inspire new generations across the globe.

THOUGHTS ON SZYK’S ENDURING LEGACY

“In his dexterity, Szyk recalls a bygone age of monastic scribes slaving over parchment pages. Illustrations like ‘Fortress Europe,’ ‘Wagner,’ and ‘Ride of the Valkyries’ are more intricate than Swiss watch works and sublimely obsessive.”

— Michael Kimmelman, chief art critic, New York Times, 2008

“We Jews have been telling the story of Passover through the Haggadah for almost a millennium, but never has it been as stirringly visualized as by Arthur Szyk.”

— Art Spiegelman, Pulitzer Prize-winning creator of Maus, 2008

“Arthur Szyk’s drawings are evidence of an exceptional mastery of craft and of artistic inspiration.”

— Katja Widmann and Johannes Zechner, Curators, Deutsches Historisches Museum Berlin, 2008

“He was democracy’s weapon, a soldier in art, wielding pen and brush to render the face of racial hatred and social injustice, its horrid features intact for all to see.”

— Harry Katz, Head Curator of Prints and Graphics, Library of Congress, 2005

“Szyk’s social action was not restricted to Jews. He was concerned with injustice wherever it might be found. He fought for oppressed minorities and national groups other than Jews, especially during World War II.”

— Rabbi Byron Sherwin, Distinguished Service Professor, Spertus Institute of Jewish Studies, 2003

“Arthur Szyk was the virtuoso caricaturist of World War II. He eviscerated his prey, yet his images were curiously beautiful, like paintings by Bosch or drawings by Dürer. He rendered Hitler, Goring, Goebbels, Himmler, Mussolini and Hirohito as buffoons, inflating their features into indictments of evil, yet his images are so precisely detailed that it is difficult not to be seduced by their majesty.”

— Steven Heller, Art Director, New York Times, 2002

“Illuminator and miniaturist, cartoonist and caricaturist, propagandist for the Allied cause and champion of American democracy, Polish patriot and tireless partisan for a Jewish state, anti-fascist humanist and freedom fighter…how does one define this man? In the case of Arthur Szyk, it is his corpus of work — in all its magnificent depth of color and precision of line, its passionate intensity and brutal honesty, and its uncompromising demand for response and reaction on the part of the viewer — that remains his testimony.

— Sara J. Bloomfield, Director, United States Holocaust Memorial Museum, 2002

“Arthur Szyk is a role model of the engaged artist…[who] represents the artist as witness…He rises to the level of prophecy—prophetic as to the Jewish future but, like the biblical prophets of old, carrying a powerful message for all humanity.”

— Rabbi Irving Greenberg, Chairman, United States Holocaust Memorial Council, 2002